Real battles, real people, real sources — drawn panel by panel and built to be read in one cinematic scroll.

No. 01 · Hundred Years' War
Agincourt
The collection
One is ready to read now. The rest are in the studio, being drawn.

Mogadishu · 1993

Hawaii · December 1941

Dardanelles · 1915–16

Western Front · 1916

Western Front · 1916

Cannae · 216 BC

Tennessee · 1862

San Antonio · 1836

Hastings · 1066

Iwo Jima · 1945

Waterloo · 1815

Okinawa · 1945

Britain · 1940

Antietam · 1862

Vietnam · 1968

Middle East · June 1967

Little Bighorn · 1876

Yorktown · 1781

Saratoga · 1777

Stalingrad · 1942–43

Gettysburg · July 1863

Belgium · Dec 1944 – Jan 1945

Midway · June 1942

Mediterranean · 1943

Arabia · 1916–1918

Omaha Beach · 6 June 1944

Thermopylae · 480 BC

Hakata Bay · 1274 & 1281

Saragarhi · 12 September 1897
How it’s made
01
Every story is adapted from cited accounts — memoirs, archives, and well-documented histories. The words carry the facts, with sources listed at the end of each read.
02
Each beat is drawn in one consistent cel-shaded style. The art sets the mood and the tension; it never invents a fact the text doesn't support.
03
No menus to fight, no panels to click. One long cinematic scroll — image beside narration — that you fall into and don't climb out of until the last line.
About
War Stories exists to dig the drama back out — the stakes, the turning points, the ordinary people who held on longer than anyone had a right to. Each piece is short, sourced, and built to be read start to finish in a single sitting.
Full transparency: the scripts are written by AI from cited sources, and every illustration is AI-generated. We work to keep the history accurate — the art is there to set the scene, not to document it, so treat the pictures as stylized impressions rather than real photographs.